Bridge to Global Literature

Let’s all remember that more and more poetry gets lost without earnest attempts at translation.Read poetry here to get a glimpse of the rhythms and resonances of languages you don’t know.

The Third Eye and Other Poems— Yashodhara Raychaudhuri

Jan 20, 2024 | Poetry | 0 comments




The Third Eye

You come into this family of warmth, of tenderness,
and only wreak havoc, my dear
You are a thief of peace
Go home, go home
That’s what they tell me
My neighbours, and my own son.
They have called me Alakshmi, evil.
Why wouldn’t they? I’ve smoked cigarettes
And I’ve come home after dark.
Our home has not seen sandhya aartis,
or heard prayers and the conch.
Besides, friends have come,
male friends, flocks of poets, at midnight for a chat.
My son studies behind a closed door,
Even he knows his mother’s odd, never our ordinary Sati.
Go home, go home, they all said
So I bought myself a flat.
The weight of my joy topples the sacred pot.
The husband and the family say nothing.
The son says nothing.
Could I please make my own happiness, my love?
Have I fixed up the flat alone?
Does my hearth cook a meal for one?
Misery, misery
I break the sacred pot…
I come back home like an Alakshmi mother
I sleep till 7,
I roam the bad neighbourhoods with my hair loose…
I concoct chaos, I chant poems all night…
And I have left my footprints along the way… unwittingly.
I tore my body into shreds until I was only
a pair of fevered eyes…
Where’s the third eye? It’s somewhere here,
put away in some hole.
I might take it out and wear it afterall.


The Mahabharata Series


That gentleman could understand everything but could do
nothing about anything. That gentleman with thick glasses,
read The Statesman the whole day and wrote letters:
Dear Editor
Why this abysmal rate of child mortality in our country…
His wife had a tough time making the two ends meet,
the girls had grown up; that gentleman could understand
everything but could do nothing about anything.
Salt and pepper stubs on sunken cheeks, he was busy
writing letters:
Dear Editor
Why this pathetic condition of women in
our blasted nation…
He had spent his entire gratuity fund on the ornaments and
for his daughters’ wedding; his wife sighed as she had
started knitting,
selling pickles and bori…that gentleman could understand
but could do nothing about anything.
When the grandsons were admitted to English medium
and the two sons-in-law were scraping to meet the
to help the daughters save some money his wife herself
began doing the chores; – got ulcers on her toes, had
cataract and
her neck and hands – bare of ornaments.
Skeletal chest, loose dangling vest
even then that gentleman:
Dear Editor
Why is there arsenic in water? Why is the education system
of the third world so faulty, why is our inflation rate so


The Poem, in Pieces

On some days, we are friends, the clinking of cups
comes from the kitchen, laughter, the clove scents
of a mutton curry
from another kitchen in another house, seasons our plain rice
a little bit of gossip, word of mouth stories, “Benuda’s eaten
whale meat, did you know?”
on some days, we cook our own curries too
kitchen sweat, sweet cinnamon scents

On some days we fight, our room splits in two
the tart smoldering of cigarettes from one side of the wall
the scraping of chair legs from the other
someone gathers paper, furniture for the burning
even the inanimate know that the air is hot
the thermometer breaks out in sweat

On some days, the family’s over
we leave and go to the park when we fight
we scream, bury the shrapnel of our bickering in the soft soil
behind the plants
I’m sure we have bickered in them all
maybe these parks were made for us, our disagreements,
which we
leave behind laying on the grass

Who could ever stop talking about living to its end while
they’re living?
The ayurvedic balm in the bookshelf corner,
the irritation next to the tire,
the fan next to the tape recorder,
the word next to the word, the letter next to the letter
books, clocks, diaries, and sorrow sit next to each other,
I place paper next to paper


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Yashodhara Raychaudhuri

Yashodhara Raychaudhuri

Yashodhara Raychaudhuri (born 1965) is a Bengali language poet hailing from Kolkata. She is a 1992 batch officer of the Indian Audit and Accounts service. She has served in different parts of India extensively. Publishing her literary works since 1993, she has over 19 collections of poetry and 18 books of collections of short stories, novellas, memoirs, and articles to her credit. She was awarded the Krittibas Puroskar in 1998 established by Sunil Gangopadhyay and Anita Sunilkumar Puraskar instituted by Bangla Akademy in 2006. She is the recipient of Barnaparichay Sharad Samman 2011. Publishing in leading newspapers and magazines of Bengal, Yashodhara is a translator from the original French language into Bengali. She was awarded the Diplome de langue from Alliance Fraincaise du Calcutta in 1998 and has translated Leonardo Da Vinci by Serge Bremley in 2008, and Combat de la Vie by Dr Luc Montaignier in 2012. She is married to Trinanjan Chakraborty, a scholar and teacher of the French language. She was awarded the Telegraph She Awards in 2023.

Chirayata Chakrabarty

Chirayata Chakrabarty

Born in Kolkata, India, in the year 2000, Chirayata Chakrabarty is a graduate from English and Foreign Languages University in Cultural Studies. She also dabbles with music in her free time, a passion that was birthed by the pandemic, with uploads on both YouTube and Spotify under the (stage) name, Purna. Guided by her passion for literature and language, she started translating Bengali short stories, as a practice, in 2018. Her first published work, through The Antonym magazine, was a short story called The Tale of the Brown Shoes by Moushumi Qader (June, 2021). She won second prize for her submission of her translation of Yashodhara Ray Chaudhuri’s short story Brikkhopurush (“Man and the Tree”) in the Tagore Award for Translated Fiction from Bengali in 2021. She has also translated Dipen Bhattacharya’s speculative-fiction novella, Dita’r Ghori (translated as The Chronicles of the Last Timesmith), released in May 2023. She has since tried to grow as a translator, as well as a songwriter and poet – a growth that she has sought since she was old enough to think.


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