TRANSLATED FROM THE HINDI BY MOULINATH GOSWAMI Bidding Adieu to a City - 7 Atop the hillock...
BIDDING ADIEU TO A CITY (PART VII & VIII)— UDAY PRAKASH
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The Antonym
A Review of Blossoms in The Graveyard by Birendra Kumar Bhattacharyya— Yashodhara Gupta
TRANSLATED BY MITRA PHAKUN FROM THE ASSAMESE KABOR ARU PHOOL REVIEWED BY YASHODHARA GUPTA ...
Ecoceanic: Southern Flows— Sarban Bandyopadhyay
A BOOK REVIEW BY SARBAN BANDYOPADHYAY Ecoceanic: Southern Flows is a collection of short...
Something… a Little Like This (Part 1)— Neelakshi Singh
TRANSLATED FROM THE HINDI BY RITUPARNA MUKHERJEE PART 1 The girl was quite dark. Frustrated...
Translating and Transporting Assam in Writing— A Conversation with Navamalati Neog Chakraborty
INTERVIEWED BY AMANITA SEN “The Gita, and the Bible has had always had its ratiocination in...
Wyrd Words: Personal Reflections On The Art Of Horror (Part VII) — Grandfather Hu
IT DOESN’T HAVE TO BE SO SERIOUS My childhood was destroyed by all those cats. There were...
Tape Recorder— Swapnamoy Chakraborty
TRANSLATED FROM THE BENGALI BY REBA RANI BANERJEE When Ratna wrote her name in Bengali, she...
A Review of Modern Assamese Drama: Ram Navamir Nat by Gunabhiram Barua and The Events of an Evening by Dr Birinchi Kumar Baruah
TRANSLATED FROM THE ASSAMESE BY NAVAMALATI NEOG CHAKRABORTY REVIEWED BY AMANITA SEN In the...
Two Tamil Poems— Mounan Yathrika
TRANSLATED FROM THE TAMIL BY SHERWIN RODRIGUEZ POEM 1Even if, prevailing over all...
Any Day Now, Syeda— Abhijit Sen
TRANSLATED FROM THE BENGALI BY SARBAN BANDYOPADHYAY Only a single tree stands in this...