TRANSLATED FROM MARATHI BY PAROMITA GOSWAMI Multi-attitude towards Adivasi Adivasi,...
Poems — Prabhu Rajgadkar
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English
To Leave in the Afternoon — Ubah Cristina Ali Farah
TRANSLATED FROM ITALIAN BY THE AUTHOR Several years ago, while I was working on a...
POETIC FRAGMENTS — STÈVE-WILIFRID MOUNGUENGUI
In Poetic Fragments, the speaker longs for her beloved, whom she met only once, at the beginning of time, and now tries to trace him through her poetry.
A Book Review of The Wild Weed — Oudarjya Pramanik
BOOK REVIEW BY OUDARJYA PRAMANIK Paul Kaur's collection, The Wild Weed: Selected Poems,...
The Hyena — Soham Das
TRANSLATED FROM THE BENGALI BY AMITAVA SEN Mohamed was lying curled up in a corner of the...
The Game — Tamal Bandyopadhyay
TRANSLATED FROM THE BENGALI BY ALOK BISWAS If god exists man is nothing. If man...
Why Should We Kill the Peasants? — Şükrü Erbaş
TRANSLATED FROM THE TURKISH BY GÖKÇENUR Ç. AND NEIL P. DOHERTY Why should we kill...
Interview with Fabio Jermini — Annalisa Carlevaro
INTERVIEWED BY ANNALISA CARLEVARO Fabio Jermini was born in Sorengo (Switzerland) in 1988....
Trees Leaning against the Roof— Sreekrishnapuram Krishnankutty
TRANSLATED FROM THE MALAYALAM BY K.M. AJIR KUTTY I hardly slept after the incident....
Wyrd Words: Personal Reflections On the Art of Horror (Part X) — Grandfather Hu
DARK SONGS AND THE SOUND OF IRRATIONALITY Storytelling is an act of translation that...