Poems — Chandrakant Devtale

Nov 15, 2025 | Poetry | 1 comment

TRANSLATED FROM HINDI BY SASWATI SAHA

 

 

To a Woman who is Home Alone

 

You must forget your friendship with the ocean
And those wintry days
That you wore like a ring around your finger
Tossing into the air and the sky
Better still, refuse to recognize
The bird that flew with Spring
Laced up in its wings… 

Now your husband is not at home
Take a shower, a long relaxing one
Stand in front of the mirror
Take your clothes off
Then wear them back again
Stare at the mirror so hard
That
It almost cracks from side to side
But before it cracks
Withdraw your shadow
It is the key to a peaceful home
For he is not gone forever
Only until evening
So
Lost in your thoughts go off to sleep
Or else, if your heart desires
Empty your baggage on the middle of the floor
Then looking intently at each of its objects
Put your thoughts back to the places where they belong
He will be back anytime now
Put the stove on, prepare some snacks
And collect yourself…like an unsullied home
Is your husband a domestic man?
This is a redundant question to ask
But he may be suspicious
That’s why
You must wait for him to return
Don’t stand in the balcony though
Stay within your room, keeping the track of time…
Do not slice the onions
Until he is back
Sliced onions
May invite a whiff of doubt
Instead
Slam a few good books on the bed
Reading these are not absolutely necessary
But it’s good to create an impression
That you read these when alone…

 

 ~~~~~~~~~~~~

 

Food Goddess

 

Four of them sit together: dinner time
All conscious, controlling their portions
The three children, sensible too
Drinking water every now and then
The father faking burps

The one serving is no less than a goddess
There is a lot left in here
I had a late lunch—
She assures as she serves

Mother was always the last to eat
The daal left for her was
A handful of water: a disgraceful chaos
And in the casserole
Like a vapour of the moon,
An umbra of a roti

 

  ~~~~~~~~~~~~

 

When Mother Served Food

 

Those days seem distant now
When I was never full unless mother served me
Those days slipped like a glistening brass bucket
Into an abysmal depth of a water well
And perhaps
Still lay buried deep

Then came those days when
In her presence,
Swallowing a single morsel was difficult
Although
She never forgot to ladle out ghee
For her youngest jobless son
She never asked where I wandered all day
Or how could I afford my tobacco and paan

Often, her generous heart would
Refill my plate again and again
And hanging my head over the plate
I would immerse myself
In the resounding noise
Of chewing broken pieces of bread

She knew every bit of my hunger and thirst
So
Whenever I got up half-full
She would murmur to herself
Scrubbing dishes in the kitchen
While
Hiding in the balcony,
My ears would lap up every word she’d utter
Her final grumbles for God’s sake
Sounded the most menacing
Then
I would open the door
And surrender myself
To the solitude and darkness
Of late-night streets

Now, those days too must be lying
In the abysmal depth of that water well
Like a heavy iron bucket
These days
Eating with my wife and children
The respite and restlessness of that dinner table
Has disappeared
Now we eat on our own
Unbothered about others
But at times
When we have methi bhaji or besan
A pair of vigilant eyes
And the familiar voice
That knew every bit of my hunger and thirst
Floats around me
And then
Gulping down my food with water
I dive for a while
Into the abysmal depths of that water well
Looking for those lost buckets.

 

  ~~~~~~~~~~~~

 


Also read, To Leave in the Afternoon by Ubah Cristina Ali Farah, translated from Italian by the author, and published in The Antonym.

To Leave in the Afternoon — Ubah Cristina Ali Farah


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Chandrakant Devtale

Chandrakant Devtale

Chandrakant Devtale is a renowned Indian poet who wrote majorly in Hindi and Marathi. He has received various awards, including the Sahitya Akademi Award, Makhan Lal Chaturvedi Award and Kusumagraja National Award. Devtale’s works include:  Haddiyo mein chhipa jwar, Deewaro par khoon se, Lakarbaggha hans raha hai, Roshni ke maidan ki taraf, Bhukhand tap raha hai  , Aag har chiz mein batai gayi thi, Badla behat mahenga sauda), Patthar ki bench, Uske Swapne, Jaha thoda sa suryoday hoga and Patthar fenk raha hoon

Saswati Saha

Saswati Saha

Saswati Saha is an Assistant Professor of the Department of English, Sikkim University, India.. She has received several grants such as the Charles Wallace India Trust Research Grant for short term research at the British Library in UK and the Residential Bursary by British Centre for Literary Translation to attend the Summer School, 2023 held in University of East Anglia. She is the steering committee member of the Translation Committee of the International Comparative Literature Association (ICLA). Her area of specialization includes Translation Studies: theory and practice, Postcolonial Literature, Readership culture and reception theory, Book History. She loves to translate poems from Bengali, Hindi and Nepali into English.