CRADLING EXISTENTIAL DREAD IN SONG Hush little baby, don’t say a word. And so begins the...
WYRD WORDS: PERSONAL REFLECTIONS ON THE ART OF HORROR (PART VIII) — GRANDFATHER HU
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Bitrisa Paul
Finding Her Lord— Rabindranath Tagore
TRANSLATED FROM THE BENGALI BY AMANITA SEN By the river Jahnabi, once Tulsidaswas there at...
The White Dog’s Fable— Yasser Abdel-latif
TRANSLATED FROM THE ARABIC BY OSAMA HAMMAD Lucy was an infertile dog living in Maadi, the...
“Translating Other Poets Can Work Wonders for Your Own Work”— Dr Biswajit Chatterjee in conversation with Amanita Sen.
INTERVIEWED BY AMANITA SEN AS: As a bilingual poet, writing both in Bengali and English and...
Three Tamil Poems— Mounan Yathrika
TRANSLATED FROM THE TAMIL BY SHERWIN RODRIGUEZ poem 1 When roasting meat over a firethe odour of...
That Time is Past— Savita Singh
TRANSLATED FROM THE HINDI BY RITUPARNA MUKHERJEE Waking up suddenly, I found the skies...
Dance— Indira Dangi
TRANSLATED FROM THE HINDI BY AYUSHEE ARORA ... For all kinds of uses, there will be no...
The Poodle and the Christ Child— Jean Frémon
TRANSLATED FROM THE FRENCH BY JOHN TAYLOR Has it ever been noticed how much Titian loved...
Krishna Gopal Mallick’s Entering the Maze— A Rare Indulgent Voice in the Genre of Queer Fiction
KRISHNA GOPAL MALLICK’S ENTERING THE MAZE— A RARE INDULGENT VOICE IN THE GENRE OF QUEER FICTION...
Two Bengali Poems— Rabindranath Tagore
TRANSLATED FROM THE BENGALI BY ARKADEV CHATTERJEA Poem No. 75 of Sphulingo Songjojon He...