TRANSLATED FROM THE ITALIAN BY MARIE ORTON There are institutions that aim to promote the...
In Praise of Métissage— Cheikh Tidiane Gaye
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Non fiction
Locating Postcolonial Hero In Bangla Speculative Fiction Part II— Debraj Moulick
Mary Shelley’s popular novel Frankenstein or The Modern Prometheus (1818) deals with a...
WYRD WORDS: PERSONAL REFLECTION ON THE ART OF HORROR (PART III)— GRANDFATHER HU
PART III: BODY HORROR (DON’T GET NO RESPECT) Body Horror is the Rodney Dangerfield...
Locating Postcolonial Hero In Bangla Speculative Fiction (Part I)— Debraj Moulick
A deep dive into the world of speculative fiction in Bangla might reveal various underlying...
WYRD WORDS: PERSONAL REFLECTION ON THE ART OF HORROR (PART II)— GRANDFATHER HU
PART II: MUST IT BE HORROR? This month I needed an easy cheat, so I beg your forgiveness as I set...
The Reality of Shadows— Maja Haderlap
TRANSLATED FROM THE GERMAN BY AARON CARPENTER Thinking about taboos is no walk in the park,...
Climate Fiction: Prophecy or Mere Speculation?—Soham Guha
SOHAM GUHA “It looked like the great heat wave would be like mass shootings in the United...
Wyrd Words: Personal Reflection on the Art of Horror (Part I)— Grandfather Hu
PART I: MUST THERE BE HORROR? The news report gave me a comforting buzz of confirmation and...
Dreamwork Case: Displacement and Condensation at Play in Orhan Pamuk’s The New Life— Nazli Karabıyıkoğlu
Translated from the Turkish by Eylül Deniz Doğanay Sigmund Freud’s dreamwork theory can be helpful...
October Creative Non Fiction Contest – Final Announcement
We have reached the finish line of yet another competition—the October Creative Nonfiction Contest! Where writers from all over the world congregated to treat us to their enthralling essays, memoirs, and commentaries on the subject of belonging or toy.