INTERVIEWED BY OWSHNIK GHOSH Mridula Garg is a well-known Hindi writer. She had written...
A Conversation with Mridula Garg— Owshnik Ghosh
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English
Memories of Wrongdoings and a Burden of Regrets— Reading Hoskote’s Hunchprose (2021)
REVIEWED BY BISWAJIT GOSWAMI Manash Firaq Bhattacharjee has opined that Ranjit Hoskote...
Day Care Centre for the Elderly— Sreekrishnapuram Krishnankutty
TRANSLATED FROM THE MALAYALAM BY K.M. AJIR KUTTY When he heard about the Day Care Centre...
The Good, The Bad and The Holy— A Book Review of “Samskara” by U. R. Ananthamurthy
REVIEWED BY YASHODHARA GUPTA Originally published in the year 1965 in Kannada, Samskara: A...
A Layered Exploration of an Evocative Sibling Relationship— A Review of Akkaalin Elumbugal
REVIEWED BY SHERWIN RODRIGUEZ Akkaalin Elumbugal, which roughly translates to “Sister’s Remains”,...
The Stolen Portrait of Monsieur de La Trappe— Jean Frémon
TRANSLATED FROM THE FRENCH BY JOHN TAYLOR His sincere humility allowed no one to dare ask...
As I Am Writing My First Lyric and Other Poems— Liljana Dirjan
TRANSLATED FROM THE MACEDONIAN BY LJUBICA ARSOVSKA WITH PATRICIA MARSH-STEFANOVSKA AS I AM...
A Poem to an Old Lover— DadaPeer Jyman
TRANSLATED FROM THE KANNADA BY SHASHANK JOHRI Sufi,Is the love that unveils itselfOn...
Bohni, The First Earning— Chitra Mudgal
TRANSLATED FROM THE HINDI BY ANURADHA DOSAD Crossing that bridge had become something of a...
Interview with Cosmin Perta— Patrick Williamson
INTERVIEWED BY PATRICK WILLIAMSON Patrick Williamson: What themes or ideas do you explore...