TRANSLATED FROM THE FRENCH BY JOHN TAYLOR Has it ever been noticed how much Titian loved...
The Poodle and the Christ Child— Jean Frémon
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Non Fiction
Like a Pearl Necklace: For Sabrina Mezzaqui— Franca Mancinelli
TRANSLATED FROM THE ITALIAN BY JOHN TAYLOR I have never worn a necklace. Any ornament...
Wyrd Words: Personal Reflections On The Art Of Horror (Part VII) — Grandfather Hu
IT DOESN’T HAVE TO BE SO SERIOUS My childhood was destroyed by all those cats. There were...
The Virgin’s Tears— Jean Frémon
TRANSLATED FROM THE FRENCH BY JOHN TAYLOR If it were proven that the depth of an...
WYRD WORDS: PERSONAL REFLECTIONS ON THE ART OF HORROR (PART VI) — GRANDFATHER HU
ASPIRATIONAL ORIGINS In his Introduction to The Evolution of Horror in the...
WYRD WORDS: PERSONAL REFLECTIONS ON THE ART OF HORROR (PART V)— GRANDFATHER HU
SKIN IN THE GAME There is always a privileging of some sort that gives definition to every...
Photographing / Writing: A testimony and a reflection— Liliana Grueff
TRANSLATED FROM THE ITALIAN BY BRENDA PORSTER Convinced as I am that we achieve...
Wyrd Words: Personal Reflections On The Art Of Horror (Part IV)— Grandfather Hu
BODY HORROR (UNCOMFORTABLE IN OUR OWN SKINS) Translation comes naturally to us. You’re...
Locating Postcolonial Hero In Bangla Speculative Fiction (Part III)— Debraj Moulick
Professor Shonku designed an indigenous robot that he affectionately called Robu in the science...
In Praise of Métissage— Cheikh Tidiane Gaye
TRANSLATED FROM THE ITALIAN BY MARIE ORTON There are institutions that aim to promote the...