TRANSLATING A FEMINIST TWIST INTO THE MURDER BALLAD The modern murder ballad is a medieval...
Wyrd Words: Personal Reflections On the Art of Horror (Part IX) — Grandfather Hu
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Bitrisa Paul
Conversation with Poet Nimrod— Patrick Williamson
INTERVIEWED BY PATRICK WILLIAMSON Patrick Williamson: What themes or ideas do you...
A Book Review of Afsar Mohammad’s “Evening with a Sufi”— Oudarjya Pramanik
BOOK REVIEW BY OUDARJYA PRAMANIK "Evening with a Sufi" by Afsar Mohammad stands as a beacon...
Clouds and Other Poems— Anita Agnihotri
TRANSLATED FROM THE BENGALI BY SARMISTHA DUTTA GUPTA AND SHAMBHOBI GHOSH Clouds Translated by...
Curfew— Vandana Yadav
TRANSLATED FROM THE HINDI BY SHIVANI YADAV Girls are as delicate as a piece of cotton. They...
Caress and Other Poems— Arpita Kundu
TRANSLATED FROM THE BENGALI BY SUBHADIP DUTTA CHOWDHURY Caress Long before the...
A Conversation with Mridula Garg— Owshnik Ghosh
INTERVIEWED BY OWSHNIK GHOSH Mridula Garg is a well-known Hindi writer. She had written...
Memories of Wrongdoings and a Burden of Regrets— Reading Hoskote’s Hunchprose (2021)
REVIEWED BY BISWAJIT GOSWAMI Manash Firaq Bhattacharjee has opined that Ranjit Hoskote...
Day Care Centre for the Elderly— Sreekrishnapuram Krishnankutty
TRANSLATED FROM THE MALAYALAM BY K.M. AJIR KUTTY When he heard about the Day Care Centre...
The Good, The Bad and The Holy— A Book Review of “Samskara” by U. R. Ananthamurthy
REVIEWED BY YASHODHARA GUPTA Originally published in the year 1965 in Kannada, Samskara: A...