As a global citizen, Nawabgunj emerges as a microcosm of the world at large with all its...
Nawabgunj— Jhelum Trivedi
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Book review
A Satire with a Lightness of Touch— A review of Vivek Shanbag’s Sakina’s Kiss
REVIEWED BY KATHAKALI JANA The ordinariness of middle-class existence is the backdrop of...
A Literary Review on Hemant Divate’s anthology ‘Paranoia’— Shrestha Mukherjee
A BOOK REVIEW BY SHRESTHA MUKHERJEE Hemant Divate's anthology, Paranoia translated into...
No One As Rano Biswas: A Review— Yashodhara Gupta
A BOOK REVIEW BY YASHODHARA GUPTA “Then do you need to stay lonely a bit more? Do you need...
A Review of I, Salma Selected poems— Amanita Sen
TRANSLATED FROM THE TAMIL BY K SRILATA AND SHOBHANA KUMAR “Everything can be taken from a...
A Book Review Of The Curse— Shubha Sundar Ghosh
A BOOK REVIEW BY SHUBHA SUNDAR GHOSH Salma needs no introduction. The Tamil born writer and...
A Review of Blossoms in The Graveyard by Birendra Kumar Bhattacharyya— Yashodhara Gupta
TRANSLATED BY MITRA PHAKUN FROM THE ASSAMESE KABOR ARU PHOOL REVIEWED BY YASHODHARA GUPTA ...
Ecoceanic: Southern Flows— Sarban Bandyopadhyay
A BOOK REVIEW BY SARBAN BANDYOPADHYAY Ecoceanic: Southern Flows is a collection of short...
A Review of Modern Assamese Drama: Ram Navamir Nat by Gunabhiram Barua and The Events of an Evening by Dr Birinchi Kumar Baruah
TRANSLATED FROM THE ASSAMESE BY NAVAMALATI NEOG CHAKRABORTY REVIEWED BY AMANITA SEN In the...
Book Excerpt from The One Legged— Sakyajit Bhattacharya
TRANSLATED FROM THE BENGALI BY RITUPARNA MUKHERJEE On a particularly cool, dewy dawn,...